History, Hamburgers and Horsepower.

Owen Zupp - Sunday, January 22, 2012


As settings go, the warbird enthusiast would be hard pressed to beat Chino Airport in southern California. Forty minutes from downtown Los Angeles and nestled amongst rural properties, the airport has a backdrop of snow capped mountains which exist in perfect harmony with the warming influence of the Santa Anna breeze. An absolute setting of nature at its finest, yet at any given moment the peace can be shattered in the nicest possible way; by the awe-inspiring roar of an aircraft from a bygone era, refusing to go silently into slumber.

The time warp can begin from the minute you drive into Chino. Tucked between hangars and huts sits Flo’s Diner, an absolute must for any visit to the airfield. Behind the old screen door waitresses hustle about with pots of coffee as jacketed pilots, engineers, enthusiasts and tourists hunch over the nearby counter. The coffee is black, the eggs are over-easy and the menu keeps cardiologists in business. The walls are all but hidden by yellowing posters proclaiming support for ‘Our Boys’ and an array of photos portraying long gone men and machines. The background hum of conversation sits well with the bustle of laden trays and create an atmosphere that has seemingly remained unchanged for half a century.  Flo’s is more about character than cuisine.

It’s best to breakfast at Flo’s as lunch won’t leave you with adequate time to dawdle through the two major museums at Chino; ‘Planes of Fame’ and ‘Yanks’.  The former is synonymous with the airfield, whilst Yanks is a relative newcomer, though no less impressive. Both are a treasure trove of aircraft that date back to before World War One, though the roaring piston engined aircraft of the second major conflict definitely make up the bulk of the collections. In company with the early jet fighters, the aircraft are not simply museum pieces and there are many living, breathing and flying examples that cast off the shelter of hangarge and show their wares at a variety of airshows throughout the year. For the fiscally advantaged, there is even the opportunity to back-seat in a P-40 Kittyhawk, or some similar steed. There is so very much on offer.

The long established, “Planes of Fame” museum welcomes you with a four-engined Flying Fortress on the front lawn. Aircraft from the earliest days of military aviation through to a specifically designated “Jet Hangar”, feature static and flying examples of a vast range. Many of the flying examples have made the trek to the bright lights of nearby Hollywood and starred in such films as Pearl Harbour. Conveniently, the tremendous collection of Japanese aircraft allowed the “Planes of Fame” to participate in both sides of the battle. One such example, the Mitsubishi Zero, transcended the celluloid in times past and flew in actual combat over such Pacific islands as Iwo Jima and Tinian.

Wandering amongst the maze of hangars, all manner of aircraft can be encountered. They are from all continents and each come with their own history.  French Ace Charles Nungesser’s WWI biplane, a Canadian Spitfire from D-Day or an F-86 Sabre from Korea. The list is all but endless. A particularly attractive display sees the US Navy carrier-based contingent hangared in a style reminiscent of the USS Enterprise. Wings folded and crammed in, the sense of an aircraft carrier is tangible. Complete with side railings, semaphore flags and a shiny deck, the portholes are filled with a treasure chest of nautical memorabilia. It’s a time warp within a time warp.

Like Santa’s workshop with rivet-guns, a number of the hangars are dedicated to renewing or extending the life of these fine machines. Jigs, paint-shops and engine-trestles fill every corner to restore these stallions above and beyond their former glory. In one such hangar sits a forerunner of modern day ‘stealth’ technology. The Northrop N-9M is one of a kind, an original flying wing that harks back to the 1940s. Designed as a 1/3 scale flying example of a larger bomber, the N-9M was piloted by a lone pilot and used to prove a unique aerodynamic theory. Whilst its larger brethren did eventuate, it failed to go into major production and it would be decades before the concept was successful in the modern generation of stealth warriors. The Museum’s flying wing still takes to the sky and is another example of living history, rather than the dusty cabinets that characterise some other collections.

Rare types are not the only medium by which history remains tangible. Seminars are monthly, ‘joyflights’ are on demand and air displays are definitely not to be missed. The ‘member flights’ in these historic warbirds are the ride of a lifetime. Strapped into one of these classics, you’ll experience the real seat-squashing inertia of a high performance take-off, zoom climbs, tumbling rolls and high speed passes, all to the beautiful backdrop of pastures and raking ridge lines. Whilst customer satisfaction is all but guaranteed, such fun does not come cheaply. Starting with the P-51 Mustang for around $700US, the price increases into the thousands to ride the twin-boomed P-38 Lightning.


When you’ve finished crawling over the static display, prying into the workshop and cutting up the sky in a P-40 Kittyhawk, you’ll need to make your way to the Yanks Museum at the other end of the airfield. ‘Yanks’ came about when Charles and Judith Nichols purchased their first aircraft in 1973 and in doing so planted the seed for what stands today as one of the world’s largest private aircraft collections. The establishment of Yanks Air Museum at Chino subsequently came about in the 80s and has a focus on the preservation of American aviation history and technology. Now totaling in excess of one hundred and fifty machines, and growing, it is phenomenal that all are original airframes that belong to the Museum. No replicas, no reproductions and no ‘loaners’.

Entering the main hangar, one is immediately struck by the vast array of pristine, airworthy aircraft in an immaculate facility. An American flag stands near a pair of Curtiss JN-4D’s, or ‘Jennies’, and seemingly announces the arrival of US military aviation. They are kept company by an immaculate selection of civil aeroplanes from the ‘golden age’ of aviation. A time in which the likes of Lindbergh crossed the Atlantic, though not before living through the perils of the US Mail with the likes of Elrey Jeppesen. In fact, an example of the “Spirit of St. Louis” sister ship, the Ryan Brougham, is currently under restoration. The B-1 Brougham afforded the pilot the luxury of forward visibility with a windscreen, something Lindbergh did without!

Striking in terms of position, stature and its brilliant yellow paint scheme stands a Naval Air Factory (NAF) N3N-3 Floatplane. This ‘Stearman on floats’ is perched high and represents a very small group of survivors. This example was void of a centre float until one surfaced inland at a Sacramento trailer park. Living its retirement out as a garden bed, the Museum acquired the sought after component and supplied the owner with a replacement planter. The old naval trainer is shadowed by a variety of warbird heavy metal.  A surviving Douglas SBD-4 is fittingly in company with a ‘bullet-holed’ wing recovered from Guadalcanal. This ‘Dauntless’ is a true veteran having seen action in the Marianas Straits and the Truk and Marshall Islands. In contrast, the dive bomber’s final posting was somewhat less lethal as it was used as a wind machine at MGM studios before being acquired in 1984. A Hollywood role that was filled by another of the collection’s combat veterans, a Grumman TBF-1 Avenger.

The adjacent hangar houses a memorabilia display and restoration facility. Recognising the interest in this fascinating aspect of preserving history, the people at ‘Yanks’ have wisely included a walk through the section where these fine machines are reborn. The line up is seemingly endless and each has a unique tale to tell. Perhaps most fascinating is the Model 11 “Ohka”. Designed and utilised as a manned kamikaze craft, it was launched from the belly of a mother ship. A lethal dart, it glided at speeds of 630 km/h with a 1200kg warhead on board. Six examples were recovered post war and the ravages of time had taken its toll on the wooden flying surfaces of Yanks’ model. In keeping with their policy, they sought to restore the Ohka to airworthy condition, though there is no intention of flying the aircraft. (After all, it was never designed with a system to land again.) This restoration goal created somewhat of a dilemma as the rather unique woodworking skills had not been used for many years.  Unbelievably, the Museum’s master Woodworker, Tony Furukawa, had learnt the needed techniques when he was apprenticed in 1944 to Mr. Kenichi Maeda. The Ohka’s original designer!

Beyond the hangars and beneath the brilliant Californian sun stand the bigger brethren and some of those still awaiting restoration. Many of the machines have made their way via the famous storage facility of Davis Monthan and still bear evidence of the mothballing designed to preserve them. One such example was within hours of being broken up, a Sikorsky CH-3C, when it was spotted by the Curator of Yanks Museum, who recognised some peculiarities in the paint scheme. One US Commander-in-Chief had the Presidential helicopter changed from Marine’s green to the dark blue of his own former service, the Navy. The fateful day in Dallas cut short the Presidency of John F. Kennedy and today the hulk of his helicopter is set to be preserved at Chino.

Chino is all about such history. Perhaps its greatest assets are not merely the hardware, but the stories that the aircraft have brought with them into a new century. Furthermore, by keeping these aircraft flying it allows the sounds, smells and sense of speed of a bygone era to still be with us today. It was a time before wide-bodies and fuel efficiency; it was about pulling ‘G’ and unadulterated ‘grunt’. Somehow static displays don’t quite capture that.

Next time you’re perched in the cruise and a trip to Chino is bandied about amongst the crew, give the idea some genuine consideration. It is a step back into history and the origins of our chosen field of endeavour. Whilst somewhat removed from modern civil aviation, Chino is a place filled with interest; of fascinating aircraft and the tales of the people who crewed them. If after taking in the sights and sounds you’re still feeling a little unfulfilled, don’t forget, there’s always coffee and flapjacks at Flo’s.

A Tiger's Tale. An Aviation Blog by Owen Zupp.

Owen Zupp - Thursday, January 19, 2012

At some point in my childhood, between converting Mum’s clothes-horse to a P-51 and sitting atop our garage with binoculars, I asked my father a fairly simple question, “What was a Tiger Moth like?”

Starry-eyed, I awaited the reply that would define the sheer essence of aviation and the pioneer spirit. “The Tiger?” he started, “It was cold, draughty, noisy and you’d end up with windburn, sunburn and goggle marks to prove it” He tapped his pipe empty on the verandah. Paused. Then continued, “…but it was blessed good trainer for its day. It taught you to use your feet. It taught you a lot of things.” That answer was about as extensive as Dad would ever venture when it came to reminiscences, however, if it was a technical question you’d be best advised to take a seat with a pen at the ready. Nevertheless, I think this is when the first seeds of owning an antique aeroplane were probably sown.

I was surrounded by aviation growing up. Dad had first started flying privately at Wagga Wagga NSW in 1948, whilst an apprentice mechanic in the RAAF. His early flying with Eric Condon lasted about six months before he was mustered for aircrew and posted to Point Cook. His subsequent career saw active service in Korea with 77 Squadron, the early days of the ‘Connie’ traversing the globe, primitive attempts at cloud-seeding, umpteen hours of instructing, testing and checking before winding up his career with the NSW Air Ambulance in 1986. Even after this he used to “do a bit” with Rebel Air and Schofields. As a youngster, I took every opportunity to tag along to the airport and not infrequently buckle up beside Dad. I vividly remember old Syd Marshall and his collection of aircraft at Bankstown and sitting in the Mustangs that Dad had flown at a previous time. Even today, I treasure an old Hurricane model Syd gave me. The older aircraft had always been of more interest to me. Their shape. Their character. Their history.

In 1994 I was fortunate to be given a relatively rewarding and seemingly secure job with Ansett, (enough said). I had no sooner “checked to line” than I noticed a Tiger Moth project for sale. I made the initial enquiries, but questions hovered over the completeness of the aircraft and the logistics of an interstate restoration daunted me. I let this opportunity slide; nevertheless, it was effectively the turning point for my childhood dream to start taking form. I started reading everything I could get my hands on and chasing up information from any source available, particularly the living, breathing kind. I found loitering around fly-ins to be particularly beneficial and the friendliness and generosity (i.e. free rides) of those involved with antique aviation bolstered my decision to go ahead if I could fund the project adequately. My wife agreed.

In 1996 my wife was fortunate to be given a relatively rewarding and secure job in aviation, (fingers-crossed).

Together we ventured to a place we had heard about and flown over numerous times in our days before turbines; Luskintyre. Nestled in the Hunter Valley, just west of Maitland, lies a facility busily putting long-forgotten deHavillands back in the air. My first memory of Ray Windred’s hangar was its’ similarity to Santa’s workshop. There were numerous tradesmen at different stations, each thoroughly engrossed in a task that seemed to call for patience as the primary tool. Access was gained by weaving between airframes, some standing proudly on their own undercart, others braced in jigs ready for covering. My wife and I did the “cook’s tour” of the restorations and the surrounding airfield. We subsequently retired to one of the vineyards for lunch, where we agreed no decisions would be made on grounds of diminished responsibility.

Time passed as we attended to other minor matters such as buying and selling a home, but as 1997 drew to a close we advised Ray Windred that we would purchase one of his old airframes and have him restore it to its previous glory. This was to be Ray’s 18th rebuild of the type. One of the factors that made purchasing an antique aircraft more attractive was the history that is attached to each of the aircraft of yesteryear. Accordingly, we set about finding the history of our airframe, construction No. 82358. In the process, we made contact with pilots that had flown in the aircraft in its war service and a number of these gentlemen kindly forwarded copies of their log books. Together with old RAAF documents and photos of the restoration taking place, my wife and I compiled a journal relating to our project. This exercise is one which I would highly recommend as it keeps the spirits up through those delays, trials and tribulations that are associated with the rebuild of an old aeroplane and on completion it serves to tell a fascinating tale. 

The aircraft had an interesting history. To the best of my knowledge, it was built at Hatfield, U.K, as part of the original order 0I758 that saw the British Air Ministry deliver 100 Tiger Moths to the RAAF. Arriving at RAAF Richmond in February 1940, it subsequently served with a variety EFTS units throughout the war, maintaining its British markings of N9257 throughout. “De-mobbed” at Cunderdin, W.A. in 1947, it began its’ civilian life under the markings VH-AKN, passing from private hands to an “air-ag” operation in April 1955. As was the way, the front cockpit was gutted and replaced with a hopper for spraying. This commercial chapter of 82358 was to be short-lived, crashing at Midland Junction, W.A. on June 13th 1955.

Almost 46 years to the day, on June 12th 2001, the Tiger again took to the air at Luskintyre. Restored in a civil scheme, with a new call-sign, I finally got my hands on my childhood dream shortly thereafter. The euphoria of the flight that followed very closely rivalled my first solo twenty years before………….it was great. The only regret?  That the old man wasn’t there to see it.

I did a number of hours at Luskintyre to consolidate my own familiarity with the type and monitor the engine and airframe for any gremlins that may surface. The aircraft performed without fault and after a “5 hour check-up” I prepared to ferry the aircraft to its’ new home. As I was delayed by early morning Hunter fog, my wife set out ahead in our car with the plan being to rendezvous outside the hangar at Mittagong. Late morning, I became airborne and armed with a P8 compass set course to the south. There wasn’t a cloud in the sky and I took every opportunity to sightsee as I visited lesson after lesson of navigating in an open cockpit. Midway I discovered that sitting on one’s charts was far more satisfactory than the clipboard I had earlier employed and that recovering one’s pencil from within the many layers of clothing was easier said than done. All this and no autopilot! I laughed at myself and took absolute pleasure in stumbling through the grassroots of aviation. As I trekked south into a very light headwind I calculated that the aircraft was making good time…….for a Tiger. Even so, freeway traffic seemed to be making a very comparable pace until the benefit of straight-line travel opened up a lead. My wife, having stopped to pick up to pick up my Mum, a former WAAAF radar operator, saw me pass overhead somewhere near Pheasants Nest, consequently on my arrival at Mittagong the welcoming party was yet to arrive. As you would expect, I took the opportunity to waste time over the beautiful Southern Highlands and the hamlet of Bowral, home of Sir Donald Bradman. It is a great privilege to be able to dawdle around the sky with no particular place to go and no specific time to be there.

The ground party finally caught up and I was all out of excuses to remain aloft. Touching down on 24, I rolled out to the hangar that is now to be home to this Tiger. An old Royal Aero Club mate and his wife were there so we took to the air for a quick hop, as you’re prone to do. Back on the ground, I was all out of excuses, so we pushed the aircraft in for the night. Armed with champagne we toasted the Tiger and even allowed a little to trickle down the prop. All in all, the flight had been cold, noisy and draughty and I did indeed bear windburn and goggle marks, but there was no doubt, this Tiger Moth was a blessed good aeroplane.

Red Bull Resting. An Aviation Blog Image by Owen Zupp.

Owen Zupp - Wednesday, January 18, 2012

The sun sets on Matt Hall's MXS racer.........

Caribous, Cattle and Crossbows. (Part Two) An Aviation Blog by Owen Zupp.

Owen Zupp - Wednesday, January 18, 2012

....The Montagnard, or “Mountain People”, were another ally. Brown remembers them as being a good people; short, tough and “very anti communist”. They possessed small crossbows that were incredibly tightly strung and would fire a 12 inch bamboo arrow. In his room one evening Brown attempted to relieve the boredom by shooting the arrow into the thick solid wood door of his villa apartment. “It went straight through the bloody door! It was incredibly powerful.” Left jutting from the other side, the arrowhead fortunately caused no damage to life or limb. Though not fired again, the crossbow did make the long journey home to Australia.

The RTFV did not have the airspace to itself. An absence of radar and prevalence of cloud meant that aircraft were not always aware of each others presence. “I saw a Canberra dive down in front of us,” he starts, “and then another and another.” Brown describes the looping motion of the bombers using his hands in the best fighter-pilot fashion. “I had flown through the middle of a Canberra bombing raid!” At times, being on the ground wasn’t any safer. “At one of the bigger bases, I think it was NhaTrang,” Brown strains the memory banks, “I was waiting to take off when a South Vietnamese A1 Skyraider landed on its belly tank right in front of me. The whole aeroplane went up in flames.” Miraculously, the pilot, the squadron CO, escaped without a scratch. Faced with an obvious delay and readying to offer assistance, the Aussie crew shutdown their Caribou. As fire tenders whizzed by, the Tower called the ‘Wallaby’ to ‘back out’. Brown hurried to comply, “I had no sooner started it, when the starboard engine went Voomf! There were flames for about 3-4 seconds and then it went out.” The culprit was found to be a cracked component in the fuel system that subsequently sprayed fuel over the hot engine. There was a happy ending though, “Unbelievably, the deHavilland Canada representative to Vietnam was on the base. He stripped and rebuilt the back of the engine overnight and totally rewired it. The aircraft flew out the next day.”

At Vung Tau the Australian Caribous were supported by RAAF ground crews, about whom Brown cannot speak too highly. Unlike the American system of “Crew Chiefs” assigned to a single aircraft and expected to be a ’jack of all trades’, the RTFV was supported by a team of skilled RAAF tradesmen. “An aircraft would come in unserviceable and 10 people would hit it. Bang. The next morning it was on the flightline, ready to go. It was a 24 hour a day job and they worked like drovers’ dogs.” On arriving in Vietnam in 1965, Brown’s tour of duty was originally six months, though this was extended to eight months whilst he was there. In that entire time he can only recall 3 or 4 occasions when a full complement of aircraft was not available.

When describing the suitability of the Caribou to its role, he puts it simply, “100%. It was a lovely aeroplane and very strong.” Warmly describing it as a “truck with wings”, he states that he never had cause to shut down an engine in flight and rarely was an engine change required for anything other than reaching its scheduled ‘life’. Coupled with its amazing short field performance, its sturdy reliability has seen the Caribou serve in numerous theatres of operation since Vietnam. For Brown, his ‘tour’ ended in January of 1966 and he subsequently entered the civil ranks of QANTAS. Now in retirement, he was present at a recent air show when the air, dust and crowd were stirred up by the distinctive growl of the deHavilland Caribou. For those in attendance it was a display of impressive low level manoeuvrability and short field performance. For Barrie Brown it probably evoked memories of the mountains of Vietnam, tight strips, old friends and the occasional flying pig.

Thanks for supporting my aviation blog!

Owen Zupp - Wednesday, January 18, 2012

Hi All,

It’s rather early here in Australia, but I couldn’t let the opportunity to pass without thanking everyone for supporting my new website. The number of people visiting www.owenzupp.com, and in particular the blog, has been overwhelming when I consider that the website was only launched about six weeks ago.

The concept was to share my thoughts and writings on aviation and other interests that I have, although I know that I am just one miniscule fish in the internet’s vast ocean. The interest shown by everyone out there has firmed my resolve to keep writing and build this blog even further. 2012 promises to unveil some exciting new projects too, so I’ll be spreading the word through this newly found means.

There were a number of family and friends that encouraged me to launch this website, but Hayley Dean from ‘Me Marketing’ who supported my charity flight in 2010 was a major force. As was another amazing ‘There and Back’ stalwart, Rob Brus. Since the site launched it has been kindly been picked up by a range of other aviation sites and podcasters, so I thought I should mention them here.

Australian Aviation Magazine

Plane Crazy Down Under Podcast

The Airplane Geeks Podcast

PPRUNE

PIREP 

The Aircrew Book Review

Me Marketing

Rob Brus

Thirty Thousand Feet

So finally, thanks again. Please keep coming back as you have all inspired me to continue building the blog and there’ll be new content appearing all the time. Thanks also for your messages and comments, I gladly welcome them. That’s what the contact page is for. Contact Owen.

Thanks and take care, but for now it’s back to the writing.

Cheers,

Owen

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